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The Hobbit: The Battle of the Five Armies (2014) The Hobbit: The Battle of the Five Armies Blu-ray delivers stunning video and reference-quality audio in this exceptional Blu-ray release The Company of Thorin has reached Smaug's lair; but, can Bilbo and the Dwarves reclaim Erebor and the treasure? And, if so, can they hold on to it? For more about The Hobbit: The Battle of the Five Armies and the The Hobbit: The Battle of the Five Armies Blu-ray release, see the published by Kenneth Brown on November 9, 2015 where this Blu-ray release scored 4.5 out of 5.
Director: Writers:, Starring:, ». The Extended Edition release of The Battle of the Five Armies includes three BD-50 discs: the first featuring the new R-rated, 164-minute cut of the film (with no intermission or disc swaps to be had), while the other two are devoted to more than ten hours of high definition bonus content. Moreover, the quality of the Extended Edition's 1080p/AVC-encoded presentation is virtually identical to its March 2015 theatrical version counterpart. There's some minor but noticeable crush here and there, as well as a few anomalies born from Jackson's at-times aggressive digital color grading and green-screen trickery, but none of it proves all that distracting. Even the darkest scenes look great, without much to nitpick or criticize. Colors are largely bleak and wintry, with searing skies and ominous shadows framing a rather stark image, gray, blue and purple tones dominating the palette throughout the film's titular battle, and high contrast whitewashing a number of overcast scenes.
Several sequences offer richer, warmer hues - Smaug's attack in particular - but these are the exception rather than the rule. Still, it's perfectly in step with Jackson and cinematographer Andrew Lesnie's intentions and quite stunning on the whole, not to mention free from significant artifacting, banding, aliasing and other issues. Detail is terrific too, with crisp, razor-sharp edges, refined textures and revealing close-ups.
All told, like the two films before it, the third and final chapter in The Hobbit trilogy delivers the high definition goods. Like the theatrical version of The Battle of the Five Armies, the Extended Edition features an excellent DTS-HD Master Audio 7.1 surround track, bolstered by the deafening chorus of war Jackson and company wholeheartedly embrace at every turn. Dragons roar, fires rage, arrows fly, magic surges, swords clash, axes fall, iron meets steel, trolls crash through walls, towers topple, buildings collapse, Were-worms erupt from the ground, wargs snarl, dwarven shields form walls, elves leap into the fray, orcs and goblins charge to their deaths, and Thorin and his allies go toe to toe with all manner of beast, monster and villain. And every arrow shunks into place, every piece of armor shink shinks with weight, every strike carries strength. Low-end output is hearty and powerful, lending heft and presence to anything and everything that requires oomph.
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Rear speaker activity is engaging and absorbing, complete with precise directional effects, slick cross-channel pans, and an enveloping soundfield that's as inviting as it is immersive. Add to that dialogue that never fails or falters - thanks to intelligible, convincingly grounded voices and flawless prioritization - and you have a 7.1 lossless track that's armed to the teeth and ready for battle. Audio Commentary: Filmmaker Peter Jackson and co-writer Philippa Boyens deliver an engaging, frank dissection of the film, revealing both the joys and heartaches of the production.
New Zealand: Home to Middle-Earth Part 3 (HD, 6:07): The third and final overview of the various New Zealand locations used to bring Jackson's Middle-earth to life on screen. The Appendices Part 11: The Gathering Storm (HD): The Battle of the Five Armies appendices, 'The Chronicles of The Hobbit - Part 3,' is spread across two additional BD-50 discs, with an enormous collection of bonus content that covers every aspect of the production.
Five hours of featurettes and documentaries are included on the first bonus content disc and break down as follows:. Opening (HD, 3:46): The cast and filmmakers offer a brief glimpse at the fun, family, adventure and challenges of making the third and final film in The Hobbit trilogy.
In the Dungeons of the Necromancer (HD, 30:08): 'Ian McKellen and Cate Blanchett form a special bond on set, the Gandalf dummy gets a star turn, Benedict Cumberbatch puts a unique spin on Black Speech, and producer Zane Weiner unveils his 'Wacky Wheel of Wonders.' '. Fire and Water (HD, 30:02): 'Peter Jackson puts Luke Evans through his paces on the Lake-town rooftops, Weta Workshop and John Howe create the iconic black arrow, Weta Digital kills Smaug, and it snows in Wellington for the first time in forty years.' . Under the Shadow of the Mountain (HD, 18:03): 'While on location, cast and crew helicopter to the South Island's remote Rock and Pillar Range. But when clouds and fog unexpectedly roll in, they quickly realize that getting off the mountain is going to be a real challenge.'
. In the Wake of the Dragon (HD, 27:28): 'While filming at Lake Pukaki on the South Island, the rugged local extras get a bit too enthusiastic, Ryan Gage has a wardrobe malfunction, and Luke Evans earns the first Victoria's Cross, an award given for 'Courage Under Fire.' '.
The Gathering of the Clouds (HD, 30:10): 'As filming nears its end, the Dwarf actors play a practical joke on William Kircher, Lee Pace's horse upstages his performance, Jackson has a 'golden' epiphany, and almost every department finds itself in an inevitable time crunch.' . Many Partings (HD, 30:02): 'Bilbo's farewell leaves the Dwarf actors in tears, filming the funeral scene is surprisingly irreverent, Jackson presents a very special gift, and after 266 days of filming, principle photography wraps.'
. The Clouds Burst (HD, 29:49): 'As 2013 pick-ups begin, Luke Evans gets his Orcs mixed up, local senior citizens are enlisted, Evangeline Lilly and Orlando Bloom mount up, Jackson directs an unused payoff to the Acorn Scene, and a fire interrupts shooting.' . A Last Desperate Stand (HD, 30:12): 'Jackson surprises Orlando Bloom on his last shot, Evangeline Lilly commemorates her team and almost gets KO'd by an Orc, Richard Armitage shoots the scene he's been waiting for, and Ian McKellen gives his final performance as Gandalf.' . Out from the Gate (HD, 30:10): 'The Dwarf actors are encased in real armor and get psyched up to charge out of Erebor, Bifur and Bombur finally speak, Weta Workshop creates a Dwarven Hot Rod, and Martin Freeman says goodbye to Middle-earth.' .
The Last Stage (HD, 34:05): 'The final day of pick-ups 2013 sees Jackson blogging on Facebook, Richard Armitage fighting on an oscillating platform, a race to the finish between Main and Splinter Units, and an appropriately quirky and heartfelt wrap ceremony.' . The Appendices Part 12: Here at Journey's End (HD): The film's appendices conclude on a second BD-50 disc devoted to another five hours of additional bonus content. The extras break down as follows:. Beneath the Thunder: Forging a Battle of the Five Armies (HD, 1:30:00): 'Chronicles the creation of Peter Jackson's final battle in Middle-earth, from the designing of armies and military strategies, to the groundbreaking advances in digital filmmaking utilized by Peter and his team to bring the battle to life.' Segments include 'A Master Plan: Long in the Making' (30:18), 'On the Front Lines of a Virtual Battlefield' (30:08), and 'Turning the Tide' (29:49).
The People and Denizens of Middle-earth (HD, 1:28:08): 'Focuses on the design, casting and creation of three major characters who personify the Woodland Elves and the Dwarves of the Iron Hills.' Segments include 'Tauriel: Daughter of the Forest' (27:55), 'Thranduil: The King of Wood and Stone' (30:17), and 'Dain Ironfoot: Lord of the Iron Hills' (30:16). Realms of the Third Age: From the City of Dale to the Halls of Erebor (HD, 1:30:28): 'Follows the completion of the creative journey to bring Middle-earth to life as the Art Department and Weta Digital design and build three of The Hobbit Trilogy's most important locations.' Segments include 'Dale: The City of Men' (30:18), 'Dol Guldur: The Hill of Sorcery' (30:14), and 'Erebor: The Lonely Mountain' (30:16). Farewell, Friends! (HD, 32:56): 'The fifteen-year journey of the Appendices editions concludes with what it means to come to the end of our fellowship, and bid farewell to Middle-earth at last.' .
Butt-Numb-a-Thon 2011 Greeting (HD, 11:43): 'On location in 2011, Peter Jackson, Ian McKellen and Ain't It Cool News on-set reporter Eric 'Quint' Vespe put together a surprise birthday video for Harry Knowles, host of the annual Butt-Numb-a-Thon film festival held in Austin, Texas.' . The Real Adam Brown (HD, 5:25): 'An unflinching, uncompromising, hard-hitting, provocative, no-holds-barred expose on The Hobbit's Ori, actor Adam Brown.' .
Music Video (HD, 4:32): 'Rivers of Gold,' by Jed 'Nori' Brophy. Andrew Lesnie Remembered (HD, 5:47): A touching tribute to the late Andrew Lesnie. The Battle of the Five Armies is the weakest entry in The Hobbit trilogy, which also happens to make it the weakest film in Jackson's six-chapter Rings saga. Alas, the 164-minute extended cut doesn't help matters all that much. Neither version amounts to a terrible film.
It's just all rather uninspired, with a burdensome series of showdowns that provide closure but little else. The good news is the cast is terrific, Jackson's battle scenes are reasonably exciting, and several memorable character beats help it cross the finish line with some dignity. Warner's Extended Edition Blu-ray release is much better, thankfully, with an excellent video presentation, powerful DTS-HD Master Audio 7.1 surround track, and more than ten hours of special features. (The bulk of which are stronger than the film itself.).
. New Zealand. United States Language English Budget $250 million Box office $956 million The Hobbit: The Battle of the Five Armies is a 2014 directed by and written by Jackson, and. It is the third and final installment in Peter Jackson's based on the novel by, following (2012) and (2013), and together they act as a to Jackson's. It was produced by, and, and distributed by Pictures. The Battle of the Five Armies was released on December 11, 2014 in New Zealand, December 12, 2014 in the United Kingdom, and on December 17, 2014 in the United States. It stars, and.
It also features, and. The film received mixed reviews and grossed over $956 million worldwide, making it the and the. At the, the film received a nomination for.
Further information: The Hobbit was originally envisioned as a two-part film, but Jackson confirmed plans for a third film on 30 July 2012, turning his adaptation of The Hobbit into a trilogy. According to Jackson, the third film would contain the and make extensive use of the appendices that Tolkien wrote to expand the story of (published in the back of ). Jackson also stated that while the third film will largely make use of footage originally shot for the first and second films, it would require additional filming as well. The third film was titled There and Back Again in August 2012. In April 2014, Jackson changed the title of the film to The Battle of the Five Armies as he thought the new title better suited the situation of the film. He stated on his page, ' There and Back Again felt like the right name for the second of a two film telling of the quest to reclaim Erebor, when Bilbo's arrival there, and departure, were both contained within the second film. But with three movies, it suddenly felt misplaced—after all, Bilbo has already arrived 'there' in the Desolation of Smaug.'
Shaun Gunner, the chairman of, supported the decision: ' The Battle of the Five Armies much better captures the focus of the film but also more accurately channels the essence of the story.' Main article: As with all the previous films, composed the score. Conrad Pope (who conducted the orchestra) and James Sizemore orchestrated the music for the and for two orchestra, while the and Tiffin' Boys choir were recorded in, London. The score featured a few new themes for Dain, Gundabad (featuring a 'chorus' of didgeridoos) and the Dwarves' war preparations, but focused more on blending and clashing the themes against one another, eventually bringing the themes to a resolution., who played in, wrote and recorded the song 'The Last Goodbye' to be played over the end credits of the film. Distribution Marketing A teaser trailer for the film was released on July 28, 2014 attached to, and. The second theatrical trailer was released on November 6, 2014 attached to and.
To promote the film's release, Wellington-based club, wore a special designed jersey to commemorate the opening of The Hobbit: The Battle of Five Armies. The custom, film-themed jersey was worn only once, on December 13, 2014. In the film's Japanese release on December 13, Warner Bros. Collaborated with mobile gaming company A-Lim to bring Bilbo, Gandalf, and Legolas into the game at the end of December as Vortex Dungeon units. The campaign only ran until February 2015. Smaug made a guest appearance, animated by WETA and voiced again by Cumberbatch, on the satire show on December 12, 2014 to promote the film. Video games Two video games were developed to coincide with the film's theatrical release.
A tie-in fighting video game The Hobbit: Battle of the Five Armies – Fight for Middle Earth was released simultaneously with the film for and platforms to negative reviews from critics and users. An video game was released for, & in October 2014 and for and on November 21, nearly a week prior to The Hobbit: The Battle of the Five Armies world in London, on 1 December. The events of the game take place directly after fled to, escaping, which was shown at the beginning of the film. The game was planned to act as an overlap between and. Theatrical release Initially the film was set for a July 2014 release; however, it was later pushed back to December.
The world premiere of The Hobbit: The Battle of the Five Armies was held in at on 1 December 2014. The film opened in theatres on 11 December 2014 in New Zealand, on December 12 in the United Kingdom and on December 17 in the United States.
Warner Bros released the film on December 18 in Greece and December 26, in Australia. The film was released in China on January 23, 2015.
An extended edition of the film had a one-night-only re-release on October 13, 2015, accompanied by a special greeting from Peter Jackson. Home media The Hobbit: The Battle of the Five Armies was released on March 6, 2015 on Digital Release from digital retailers. The and were released on March 24, 2015 in the United States. It topped the home video sales chart in its opening week. An Extended Edition of the film, with 20 minutes of additional footage and original music was released on Digital HD on 20 October and on DVD, Blu-ray, and Blu-ray 3D on November 17, 2015 in the United States and on November 23, 2015, in the United Kingdom. Unlike the theatrical version's PG-13 rating, the Extended Edition has been rated R by the MPAA for 'some violence'.
Reception Box office Like its predecessors, The Hobbit: The Battle of the Five Armies became a financial success. It grossed a total of $255.1 million in North America and $700.9 million in other countries for a worldwide total of $956 million. Worldwide, it is the (behind ), the lowest-grossing film of The Hobbit series, and the. According to 's estimation, the film made a profit of $103.4 million. The film failed to earn $1 billion at the box office, despite various pundits projecting it to reach that milestone. Said that The Battle of the Five Armies was unlikely to gross $1 billion worldwide due to 'plunging exchange rates around the globe' witnessed that year, and that Warner Bros. And MGM ultimately would take in nearly $90 million less than expected due to the rising dollar and plunging foreign currencies.
However, despite this failure, has declared the trilogy 'an unmitigated financial grand-slam for all parties.' North America In the U.S. And Canada, it is the lowest-grossing of the three films of The Hobbit trilogy, and also the lowest-grossing of the six Middle-earth adaptations, but the sixth-highest-grossing film of 2014. It opened on Tuesday, December 16, 2014 across 3,100 theaters and widened to 3,875 the following day. It earned $11.2 million from Tuesday late-night shows, which is the second-highest of 2014, matching the numbers earned by and both behind ($17 million) of which $2.5 million of just over 22% came from IMAX showings. This broke the record for a Middle-earth adaptation previews previously set by The Desolation of Smaug with $8.8 million.
It then topped the box office on its opening day (Wednesday, December 17, 2014), earning $24.5 million (including previews), which is the third-highest Middle-earth adaptation Wednesday opening behind the Wednesday openings of ($34.5 million) and ($26.2 million). In total, the film earned $57.4 million in its traditional three-day opening and $89.1 million over its five-day course making it the second-biggest five-day opening in The Hobbit franchise, beating the $86.1 million opening of The Desolation of Smaug, but still behind An Unexpected Journey's $100.2 million five-day opening. However, on a three-day basis, the film underperformed expectations and fell short of its predecessors. The film set a December opening record with $13.4 million (previously held by ). 3D accounted for 49% of the total gross while IMAX generated 15% or $13.4 million over five days, and $7.4 million over three days, and premium large-format screens comprised 8% of the total opening-weekend gross with $7.2 million from 396 theaters.
The film passed the $100 million mark on its seventh day (December 23, 2014). It became the third film of 2014 to earn $100 million in just under a week following 's The Hunger Games: Mockingjay – Part 1 ($168.7 million in its opening week) and /'s Guardians of the Galaxy ($134.4 million in its first week). It was in first place at the North American box office for three consecutive weekends despite facing competition from numerous new releases each weekend, but was finally overtaken by in its fourth weekend. Outside North America The film began its international roll-out a week prior to its wide North American release. It opened Wednesday, December 10, 2014 in 11 European markets, earning $11.3 million and December 11, 2014 in 17 additional markets, earning $13.7 million, for a two-day total of $26.6 million and topped the charts in each of the territories. Through Sunday, December 14, 2015, it had an opening weekend total of $122.2 million from 37 countries in 15,395 screens, topping the box office and outperforming the previous two installments on a local currency and admissions basis.
Seventy-one percent of the total gross ($86.7 million) came from 3D showings. However, the overseas opening weekend was still lower than the openings of An Unexpected Journey ($138 million) and The Desolation of Smaug ($135.4 million) —both on a dollar basis. It set a December IMAX opening record with $6.4 million across 160 IMAX screens, previously held by An Unexpected Journey with $5.03 million. The film opened to an additional 59 countries in its second weekend and earned $109 million from 19,315 screens still holding the top spot and fell gradually by 13% as a result of facing minor competitions.
In its third weekend, the film added a further $89 million abroad, remaining at number one. It was in first place at the box office outside North America for four consecutive weekends and five in total. The film achieved numerous records in international markets during its opening weekend. It set an all-time Warner Bros.
Opening record in Russia ($13.8 million), Argentina ($2.1 million), Sweden, and Finland. It also set a 2014 opening record in Germany ($20.5 million), France ($15.1 million), and Spain ($6.3 million).
It also had the best Middle-earth saga opening in the UK ($15.2 million), and Mexico ($6.3 million). In Brazil, the film scored the second-biggest Warner Bros. Opening of all time with $6.8 million (behind Harry Potter and the Deathly Hallows – Part 2). In Australia, the film was released on 26 December 2014 and set an opening-day record with $5.6 million, which is the biggest of 2014, the second-biggest gross, and the fourth-biggest ever in Australia behind ($7.092 million), The Avengers ($6.0 million), and The Hobbit: The Desolation of Smaug ($5.9 million). It went on to earn $10.1 million in its opening weekend. The film set an all-time opening record for Warner Bros. In China where it earned $49.8 million in its opening weekend (a record previously held by ).
IMAX generated $6.8 million of the total gross, which was once the second-highest IMAX three-day gross behind Transformers: Age of Extinction 's $10 million. Other high openings were recorded in Korea ($10.4 million), Poland ($5.6 million), Italy ($5.6 million), Malaysia ($3 million), and Taiwan ($2.8 million). In total earnings, its largest markets are China ($121.7 million); UK, Ireland, and Malta ($61.3 million); and Australia ($27 million). Critical response reported that early reviews for The Hobbit: The Battle of the Five Armies were 'generally positive' with critics praising the film 'for its energy, shorter running time and satisfying closure'.
According to, reviews for the film were mostly positive, with critics 'praising director Peter Jackson's effort at transforming J. Tolkien's fantasy novel into an epic adventure film trilogy'. According to, critics said the film 'will satisfy fans' but 'otherwise, it may be worth waiting until it's available to rent'. Oliver Gettel of the said the critical consensus was that the film is 'a flawed but fitting finale to The Hobbit trilogy'. The website reported a 60% approval rating based on 239 reviews, with an average rating of 6.3/10.
The website's consensus reads 'Though somewhat overwhelmed by its own spectacle, The Hobbit: The Battle of the Five Armies ends Peter Jackson's second Middle-earth trilogy on a reasonably satisfying note.' The film also holds a score of 59 out of 100 based on 45 critics, indicating 'mixed or average reviews'. In polls conducted during the opening weekend, cinema audiences gave the film an average grade of 'A-' on an A+ to F scale. Scott Foundas of said 'The result is at once the trilogy's most engrossing episode, its most expeditious (at a comparatively lean 144 minutes) and also its darkest—both visually and in terms of the forces that stir in the hearts of men, dwarves and orcs alike.' Todd McCarthy of said 'After six films, 13 years and 1031 minutes of accumulated running time, Peter Jackson has concluded his massively remunerative genuflection at the altar of J.R.R. Tolkien with a film that may be the most purely entertaining of any in the collection.'
Andrew Pulver of said 'This film is a fitting cap to an extended series that, if nothing else, has transformed Tolkien's place in the wider culture.' Chris Tilly from said 'There's a little too much padding in the final Hobbit flick, and the best sequence is without doubt the film's first. But the central battle is indeed spectacular, and as 'The Age of Orc' approaches, it rounds out this particular story in stirring and emotional fashion.' Russell Baillie of said The Hobbit: The Battle of the Five Armies is 'something less than the supposed 'defining chapter' of Jackson's time in Middle-earth as it's been billed. But action-wise, it certainly goes out with a very pleasing bang.'
Conversely, Inkoo Kang of said 'The 144-minute running time showcases Jackson's worst tendencies: eons-long battle scenes, sloppy and abrupt resolutions, portentous romances, off-rhythm comic timing, and, newly in this case, patience-testing fan service.' Tim Robey of described the film as 'a paragraph on steroids' that was 'neither very terrible nor remotely unexpected. It's a series of stomping footnotes in search of a climax.' The 's Nicholas Barber wrote that with The Hobbit series, Jackson had succeeded in bridging the gap between The Hobbit and The Lord of the Rings and that The Battle of the Five Armies was a 'colossal technical achievement', but he also criticised that the film as such was not compelling because of 'its repetitive battle scenes and a lack of plot'. Nicolas Rapold of said 'Bilbo may fully learn a sense of friendship and duty, and have quite a story to tell, but somewhere along the way, Mr.
Jackson loses much of the magic.' Accolades. Main article: Year Award Category Recipient Result Ref. 2014 Truly Moving Picture Award The Hobbit: The Battle of the Five Armies Won Phoenix Film Critics Society Awards Best Visual Effects, Scott Chambers Nominated 2015 and Nominated The Hobbit: The Battle of the Five Armies Nominated The Hobbit: The Battle of the Five Armies Nominated The Hobbit: The Battle of the Five Armies Nominated Joe Letteri, Eric Saindon, David Clayton, R. Christopher White Nominated Denver Film Critics Society Best Original Song, Nominated The Hobbit: The Battle of the Five Armies Nominated Peter Jackson Nominated Richard Armitage Nominated The Hobbit: The Battle of the Five Armies Nominated The Hobbit: The Battle of the Five Armies Won Fran Walsh, Philippa Boyens, and Nominated Won Nominated Nominated, and Gino Acevedo Nominated Joe Letteri, Eric Saindon, David Clayton and R. Christopher White Nominated References. 28 November 2014.
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